EditPad Aurora

Windows · Offline software · Bought once

Every artist's deepest desire is to be heard.

For most of history the obstacle was resources. Technology has been dismantling that wall for decades.

EditPad Aurora finishes vocal recordings. Load your vocal, load a track whose sound you want, click once.

Take it for a spinFree · 30 seconds · your own vocal
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Your voice. Not ours.
Your reference. Not ours.

Hear it on yours — thirty seconds, free, nothing kept.

WAV only (44.1 or 48 kHz; 16-bit, 24-bit or 32-bit float). The first 30 seconds are used.

Only upload audio you have the right to use.

This preview is generated from a 30-second sample, not your full vocal.

Your audio is processed in memory and discarded when your preview is delivered.

The instrument

This is it. It doesn't apply a preset — it decides.

It listens to your reference and chooses which microphone character bridges the tonal gap, how much harmonic saturation to add, how much resonance to smooth, what loudness to target — and it can tell you what it chose.

The EditPad Aurora interface: engraved copper, gold and teal controls arranged around a luminous aurora, with LUFS meters either side and analysis panels below.
The engraved brightness control.
BrightnessAir and top end. Yours to override at any point.
The engraved presence control.
PresenceHow far forward the voice sits against the track.
The engraved loudness control.
LoudnessHeld to a broadcast standard so the level travels.
The engraved reverb control.
ReverbSpace and depth around the voice.

It tells you what it decided

Engine readout: matched to −23.4 LUFS, drive −3.4 dB, detected Female.
Spectral balance panel showing source, reference and result curves converging.
Source, reference and result — drawn together
Target and result LUFS meters running side by side.
Target against result
The wall

Everything that once stood between a song in your head and a record someone could hear.

  • A producer
  • Studio time
  • A mixing engineer
  • A mastering engineer
  • A record label
  • A distributor
  • Your voice
Still standing 07
One gap

AI closed almost every gap. One remained.

A vocal that sits properly inside a finished mix is the part that still sends you back to the studio and the engineer. EditPad Aurora closes it. A clean vocal take. A reference whose sound you want to match. One click. Minutes later you have a mixed, mastered vocal to export straight into your DAW.

01

It finishes your real voice — not a synthetic one.

02

It matches any reference you choose.

03

The software never uploads your audio. Everything the application does happens on your own computer.

Open call

Want the whole vocal finished? Send it. Free, yours to keep.

The trial plays 30 seconds and keeps nothing. This is different: we finish your full vocal, you keep it, and with your permission we publish the before and after.

Be the first one we publish.

We built something that finishes a vocal the way an engineer would — except it decides, in seconds, what would've taken a studio and two people to figure out.

We could show you a demo. We're not going to.

Every "before and after" you'll ever hear from a plugin company was chosen by the plugin company. Picked because it flatters the software. You've heard a hundred of them and believed none of them, because you shouldn't.

So here's the offer instead: send us a vocal you've recorded, and a reference for the sound you're chasing. We'll run it, finish it, and send it back to you — free, yours, no strings. If you'll let us, it becomes the first thing anyone hears on this site.

Not a demo we picked. Not a result we're proud of. The first one — and it's yours, not ours.

Ten spots. Credited how you like, gone the moment they're filled.

We're looking for range. Different voices, different genres, different rooms. Afrobeats, Amapiano, Afro-soul, R&B, rap, pop, gospel, singer-songwriter — wherever you are and whatever you make. The point is to show what this does across real material, not one narrow slice of it.

What your recording needs to be: a reasonably clean take — a decent microphone, no effects printed, no heavy room. It finishes your vocal; it can't rescue a bad one.

The agreement — please read before signing

Submission Consent and Release · Version 1.0 · August 2026

13012905 CANADA INC., operating as EditPad Aurora. Unit 39, 450 Matheson Blvd East, Mississauga, Ontario, L4Z 1R5, Canada. support@editpadaurora.com

What this is

You are sending us a vocal recording. We will mix and finish it using EditPad Aurora and send it back to you, free of charge.

You keep it. You own it. You can release it commercially. We ask nothing in return except permission to publish the before and after, so other artists can hear what the software does.

This document sets out that arrangement. It is short deliberately. Please read it — by signing you are granting us a permanent right to publish your recording, and you cannot withdraw that permission once we have published.

1. What you are sending us

1.1 Your vocal. A recording of your own voice — the one you want finished. Send whatever you have: a full track or a single section. We will finish and return whatever you send.

1.2 A reference. Either an isolated reference vocal, or a full track from which we will extract the reference vocal ourselves. This is the sound you want your vocal matched to.

1.3 What your vocal needs to be. EditPad Aurora finishes a good recording. It cannot rescue a poor one. Your vocal should be:

  • Recorded with a reasonable microphone
  • Free of printed effects — no reverb, delay, autotune or processing baked into the file
  • Recorded in a reasonably controlled space, without heavy room echo or significant background noise
  • Supplied as an uncompressed file (WAV or AIFF) where possible

If your recording falls below this standard we may be unable to use it, and we will tell you.

1.4 How to send them. When you submit this form you will receive a confirmation email. Reply to that email with both files attached. If your files are too large to email, reply anyway and we will send you an upload link. Please name your files clearly — for example yourname-vocal.wav and yourname-reference.wav.

1.5 What we publish. We publish a short excerpt — around 30 to 45 seconds — chosen by us. The finished version we return to you is the full length of whatever you sent.

2. What you are promising us

By signing, you confirm that:

2.1 You own or control your vocal recording, and you have the full right to send it to us and to grant the permissions in this document.

2.2 You have the right to supply the reference material for the purpose described in Section 4 — technical analysis only.

2.3 No one else has a claim. No co-writer, producer, label, publisher, collaborator or other party holds rights in either recording that would be affected by this agreement, or if they do, you have their permission.

2.4 Neither recording infringes anyone else's rights.

2.5 You are 18 or older, or a parent or guardian is signing with you.

2.6 You accept responsibility for what you subsequently do with the finished vocal we return to you, including any commercial release.

3. What we are giving you

3.1 We will process your vocal through EditPad Aurora and return the finished result to you.

3.2 It is yours. You retain full ownership of your original recording and of the finished version we return. We claim no ownership, no royalty, no share, and no credit.

3.3 You may release it commercially. Distribute it, stream it, sell it, licence it — without payment or attribution to us.

3.4 There is no charge, and you are not obliged to buy anything.

4. The reference — what we do and do not do with it

This section matters, so it is stated plainly.

4.1 The reference material you supply is used solely as a technical analysis input. The software measures its tonal and dynamic characteristics in order to derive processing settings for your vocal.

4.2 No audio from the reference appears in your finished vocal. Nothing is copied, sampled, extracted into, or embedded in the result. The output contains only your voice.

4.3 We will never publish, distribute, share or reproduce the reference material, in whole or in part, in any promotional material or anywhere else.

4.4 We will not identify the reference track in any published material.

4.5 We delete the reference material after processing is complete.

5. What you are granting us

5.1 The licence. You grant 13012905 CANADA INC. a perpetual, worldwide, irrevocable, royalty-free, non-exclusive licence to use, reproduce, publish, display, distribute and communicate to the public:

  • your original vocal recording as submitted, and
  • the finished version produced by EditPad Aurora,

for the purpose of demonstrating and promoting EditPad Aurora, in any medium — including our website, social media, video, advertising and press.

5.2 This is a licence, not a transfer. You keep ownership. We are permitted to show the recordings; you retain every other right.

5.3 What we may publish alongside them. Your name (see Section 6), a short description of your recording setup, the genre, and a technical summary of what the software decided — for example the microphone character selected and the loudness target reached.

5.4 We publish an excerpt. We will normally publish a short section — around 30 to 45 seconds — rather than your full recording, and may present the before and after alongside one another. We will not alter your original recording to make it sound worse. The "before" you hear published is the file you sent us.

6. Your name

6.1 We publish each transformation with the artist's name, because an anonymous recording is indistinguishable from a fabricated one and the credibility of the whole demonstration depends on it.

6.2 You choose how you are credited — your legal name, your artist name, or a first name only. Enter it in the form below.

6.3 If you are unwilling to be identified in any form, we will not be able to include your submission.

7. No withdrawal after publication

7.1 You may withdraw your submission at any time before we publish it, by emailing support@editpadaurora.com.

7.2 Once we have published a transformation, the permission granted in Section 5 cannot be withdrawn. The published material may remain in place permanently.

7.3 This is not intended to be harsh, and the reason is worth stating. These demonstrations are the evidence on which people decide whether to trust this software. An archive that can be dismantled retrospectively is not evidence. Please be certain before signing.

7.4 In genuinely exceptional circumstances — a serious personal reason, a rights dispute you could not have foreseen — contact us. We are not obliged to remove published material, but we will consider it seriously.

8. What we are not promising

8.1 We may not use every submission. We are selecting a limited number for range of voice and genre, and we will tell you if yours is not selected.

8.2 We cannot guarantee a particular result. The software makes decisions based on your recording and your reference; how well it works depends partly on the material.

8.3 We may publish a result that is a partial success, together with an honest explanation — but only with your agreement in advance, and only if we have told you what we intend to say.

8.4 We are not responsible for your recordings. Keep your own copies.

9. Your information

We hold your name, email address and submitted recordings in order to run this campaign and to publish the transformations. We do not sell your information or share it for advertising. Full detail is in our Privacy Policy at editpadaurora.com.

Your audio is processed locally on our own machine. It is not uploaded to any cloud service.

10. General

10.1 This agreement is governed by the laws of the Province of Ontario and the federal laws of Canada. Nothing here limits any non-waivable statutory rights you have where you live.

10.2 If any part of this agreement is found unenforceable, the rest continues to apply.

10.3 This is the entire agreement between us regarding your submission.

Signature

I have read and understood this document. I confirm the promises in Section 2, and I grant the licence in Section 5. Typing your full legal name in the form below acts as your signature.

Questions before you sign? Email support@editpadaurora.com.

Scroll to read in full. A copy is emailed to you on submission, and it lives permanently at editpadaurora.com/agreement. How we handle your details is set out in our privacy policy.

Typing your name here acts as your signature.

How you appear publicly. May differ from above.

Where the confirmation and your finished file go.

Optional.

Optional — microphone, room, anything relevant.

No audio is uploaded here. You will be asked to reply to the confirmation email with your files attached.

Why it exists

I've had the same problem as most independent artists. I had music sitting shelved for years — full tracks, real vocals, songs I believed in, never mixed to a standard I'd release.

Last year I put one of them through an AI music tool, mostly out of curiosity. What came back stopped me. The song was intact — my structure, my arrangement — but alive in a way it had never been. Produced. Finished.

Except the voice wasn't mine.

That was the moment. To get my own vocal sitting inside that mix, at that standard, I was back where I started: book a studio, hire an engineer, wait, pay. The technology had leapt forward and left the one irreplaceable part of the song behind.

So I started building. It began as a playful experiment — could I take my original vocal and make it work inside that mix? Months later it had become an audio engine I'd taught myself digital signal processing to write.

I showed an early version to my eight-year-old son and asked him what Daddy should call it. He said EditPad, without hesitating. I ran with it.

Your voice is the one thing the technology can't give you. This makes it sound like it belongs.

In use
  1. First

    Load your vocal.

  2. Then

    Load a track whose sound you want.

  3. That's all

    Click once. Export to your DAW.

Before you buy

What it needs

Works from a reasonably clean recording — a decent microphone, no effects printed, no heavy room. It finishes your vocal; it can't rescue a bad one.

What you get

A finished vocal, not a finished song. You still balance it against your instrumental in your DAW.

System

Windows 10 or 11, 64-bit
8 GB RAM minimum, 16 GB recommended
1920 × 1080 minimum display
50 MB disk

Internet

Required to activate your licence, and occasionally afterwards to confirm it is still valid. If a check cannot be completed the software continues working normally — you can work offline indefinitely. All audio processing in the application is offline at all times.

The price

Windows 10 / 11 only. There is no Mac version.

$59 USD · one payment
Rises to $79 at general release
Buy EditPad Aurora — $59

Secure checkout by Lemon Squeezy

Not sure yet? Take it for a spin first.

Windows may show a security warning when you install this, because we're a new publisher. Click "More info", then "Run anyway".

You own this version forever. Improvements to it are free. Future major versions are separate paid upgrades, discounted for existing owners.

One payment · no subscription
Windows 10/11 · standalone application
Licence carries its version
Activates on up to three computers
Support within 48 business hours

Support

Start here

Most questions are answered in the guide. If you are stuck, email support@editpadaurora.com — we reply within 48 business hours.

What we cover

Installation, licensing and product faults. Not mixing advice or DAW instruction — those are your craft, not our software misbehaving.

If something breaks

The application keeps a diagnostic log on your own machine at %TEMP%\EditPad_debug.log. Attaching it to your email usually turns two exchanges into one.