Windows · Offline · Bought once
For most of history the obstacle was resources. Technology has been dismantling that wall for decades.
EditPad Aurora finishes vocal recordings. Load your vocal, load a track whose sound you want, click once.
It listens to your reference and chooses which microphone character bridges the tonal gap, how much harmonic saturation to add, how much resonance to smooth, what loudness to target — and it can tell you what it chose.
It tells you what it decided
The same take, twice. Switch between them while it's playing — the change lands mid-word, not between clips.
Audio not yet loaded
Press A and B to switch while it plays
Everything that once stood between a song in your head and a record someone could hear.
A vocal that sits properly inside a finished mix is the part that still sends you back to the studio and the engineer. EditPad Aurora closes it. A clean vocal take. A reference whose sound you want to match. One click. Minutes later you have a mixed, mastered vocal to export straight into your DAW.
It finishes your real voice — not a synthetic one.
It matches any reference you choose.
Your music never leaves your computer.
Load a vocal you recorded at home and a track whose sound you want. It returns a mixed, mastered vocal to drop into your DAW. Windows, offline processing, bought once.
Open call. Ten people send a vocal and get it finished free.
The work. Quiet.
Results published one by one. The software goes on sale.
One email when the call opens. Nothing else.
Send a vocal you have recorded and the sound you want it matched to. It will be mixed and finished with EditPad Aurora and sent back to you — free, yours to keep, yours to release.
In return, permission to publish the before and after, so other artists can hear what the software does.
Every demonstration in this category is chosen by the person selling the software. So this one isn't.
We're looking for range. Different voices, different genres, different rooms. Afrobeats, Amapiano, Afro-soul, R&B, rap, pop, gospel, singer-songwriter — wherever you are and whatever you make. The point is to show what this does across real material, not one narrow slice of it.
What your recording needs to be: a reasonably clean take — a decent microphone, no effects printed, no heavy room. It finishes your vocal; it can't rescue a bad one.
Submissions close 31 August · Results publish 15—26 September
The agreement — please read before signing
Submission Consent and Release · Version 1.0 · August 2026
13012905 CANADA INC., operating as EditPad Aurora. Unit 39, 450 Matheson Blvd East, Mississauga, Ontario, L4Z 1R5, Canada. support@editpadaurora.com
You are sending us a vocal recording. We will mix and finish it using EditPad Aurora and send it back to you, free of charge.
You keep it. You own it. You can release it commercially. We ask nothing in return except permission to publish the before and after, so other artists can hear what the software does.
This document sets out that arrangement. It is short deliberately. Please read it — by signing you are granting us a permanent right to publish your recording, and you cannot withdraw that permission once we have published.
1.1 Your vocal. A recording of your own voice — the one you want finished. Send whatever you have: a full track or a single section. We will finish and return whatever you send.
1.2 A reference. Either an isolated reference vocal, or a full track from which we will extract the reference vocal ourselves. This is the sound you want your vocal matched to.
1.3 What your vocal needs to be. EditPad Aurora finishes a good recording. It cannot rescue a poor one. Your vocal should be:
If your recording falls below this standard we may be unable to use it, and we will tell you.
1.4 How to send them. When you submit this form you will receive a confirmation email. Reply to that email with both files attached. If your files are too large to email, reply anyway and we will send you an upload link. Please name your files clearly — for example yourname-vocal.wav and yourname-reference.wav.
1.5 What we publish. We publish a short excerpt — around 30 to 45 seconds — chosen by us. The finished version we return to you is the full length of whatever you sent.
By signing, you confirm that:
2.1 You own or control your vocal recording, and you have the full right to send it to us and to grant the permissions in this document.
2.2 You have the right to supply the reference material for the purpose described in Section 4 — technical analysis only.
2.3 No one else has a claim. No co-writer, producer, label, publisher, collaborator or other party holds rights in either recording that would be affected by this agreement, or if they do, you have their permission.
2.4 Neither recording infringes anyone else's rights.
2.5 You are 18 or older, or a parent or guardian is signing with you.
2.6 You accept responsibility for what you subsequently do with the finished vocal we return to you, including any commercial release.
3.1 We will process your vocal through EditPad Aurora and return the finished result to you.
3.2 It is yours. You retain full ownership of your original recording and of the finished version we return. We claim no ownership, no royalty, no share, and no credit.
3.3 You may release it commercially. Distribute it, stream it, sell it, licence it — without payment or attribution to us.
3.4 There is no charge, and you are not obliged to buy anything.
This section matters, so it is stated plainly.
4.1 The reference material you supply is used solely as a technical analysis input. The software measures its tonal and dynamic characteristics in order to derive processing settings for your vocal.
4.2 No audio from the reference appears in your finished vocal. Nothing is copied, sampled, extracted into, or embedded in the result. The output contains only your voice.
4.3 We will never publish, distribute, share or reproduce the reference material, in whole or in part, in any promotional material or anywhere else.
4.4 We will not identify the reference track in any published material.
4.5 We delete the reference material after processing is complete.
5.1 The licence. You grant 13012905 CANADA INC. a perpetual, worldwide, irrevocable, royalty-free, non-exclusive licence to use, reproduce, publish, display, distribute and communicate to the public:
for the purpose of demonstrating and promoting EditPad Aurora, in any medium — including our website, social media, video, advertising and press.
5.2 This is a licence, not a transfer. You keep ownership. We are permitted to show the recordings; you retain every other right.
5.3 What we may publish alongside them. Your name (see Section 6), a short description of your recording setup, the genre, and a technical summary of what the software decided — for example the microphone character selected and the loudness target reached.
5.4 We publish an excerpt. We will normally publish a short section — around 30 to 45 seconds — rather than your full recording, and may present the before and after alongside one another. We will not alter your original recording to make it sound worse. The "before" you hear published is the file you sent us.
6.1 We publish each transformation with the artist's name, because an anonymous recording is indistinguishable from a fabricated one and the credibility of the whole demonstration depends on it.
6.2 You choose how you are credited — your legal name, your artist name, or a first name only. Enter it in the form below.
6.3 If you are unwilling to be identified in any form, we will not be able to include your submission.
7.1 You may withdraw your submission at any time before we publish it, by emailing support@editpadaurora.com.
7.2 Once we have published a transformation, the permission granted in Section 5 cannot be withdrawn. The published material may remain in place permanently.
7.3 This is not intended to be harsh, and the reason is worth stating. These demonstrations are the evidence on which people decide whether to trust this software. An archive that can be dismantled retrospectively is not evidence. Please be certain before signing.
7.4 In genuinely exceptional circumstances — a serious personal reason, a rights dispute you could not have foreseen — contact us. We are not obliged to remove published material, but we will consider it seriously.
8.1 We may not use every submission. We are selecting a limited number for range of voice and genre, and we will tell you if yours is not selected.
8.2 We cannot guarantee a particular result. The software makes decisions based on your recording and your reference; how well it works depends partly on the material.
8.3 We may publish a result that is a partial success, together with an honest explanation — but only with your agreement in advance, and only if we have told you what we intend to say.
8.4 We are not responsible for your recordings. Keep your own copies.
We hold your name, email address and submitted recordings in order to run this campaign and to publish the transformations. We do not sell your information or share it for advertising. Full detail is in our Privacy Policy at editpadaurora.com.
Your audio is processed locally on our own machine. It is not uploaded to any cloud service.
10.1 This agreement is governed by the laws of the Province of Ontario and the federal laws of Canada. Nothing here limits any non-waivable statutory rights you have where you live.
10.2 If any part of this agreement is found unenforceable, the rest continues to apply.
10.3 This is the entire agreement between us regarding your submission.
I have read and understood this document. I confirm the promises in Section 2, and I grant the licence in Section 5. Typing your full legal name in the form below acts as your signature.
Questions before you sign? Email support@editpadaurora.com.
Scroll to read in full. A copy is emailed to you on submission, and it lives permanently at editpadaurora.com/agreement. How we handle your details is set out in our privacy policy.
Received
Check your email. Reply to it with your files attached.
We have sent a confirmation to , with a copy of the agreement you accepted. Reply to that email and attach two files: your vocal, and the reference whose sound you want it matched to.
If the files are too large to email, reply anyway and we will send an upload link.
Nothing further happens until you reply. Selections are made for range of voice and genre, and we will let you know either way.
Closed
Submissions are closed.
The ten transformations are being finished now and publish from 15 September. If you would like to hear them as they land, the sign-up is further down this page.
Not a demo I chose. A vocal sent in by someone I had never heard, processed in public.
Published from 15 September
I've had the same problem as most independent artists. I had music sitting shelved for years — full tracks, real vocals, songs I believed in, never mixed to a standard I'd release.
Last year I put one of them through an AI music tool, mostly out of curiosity. What came back stopped me. The song was intact — my structure, my arrangement — but alive in a way it had never been. Produced. Finished.
Except the voice wasn't mine.
That was the moment. To get my own vocal sitting inside that mix, at that standard, I was back where I started: book a studio, hire an engineer, wait, pay. The technology had leapt forward and left the one irreplaceable part of the song behind.
So I started building. It began as a playful experiment — could I take my original vocal and make it work inside that mix? Months later it had become an audio engine I'd taught myself digital signal processing to write.
I showed an early version to my eight-year-old son and asked him what Daddy should call it. He said EditPad, without hesitating. I ran with it.
Your voice is the one thing the technology can't give you. This makes it sound like it belongs.
Different voices. Different genres. Same one click.
Published from 15 September
Published from 15 September
Load your vocal.
Load a track whose sound you want.
Click once. Export to your DAW.
What it needs
Works from a reasonably clean recording — a decent microphone, no effects printed, no heavy room. It finishes your vocal; it can't rescue a bad one.
What you get
A finished vocal, not a finished song. You still balance it against your instrumental in your DAW.
System
Windows 10 or 11, 64-bit
8 GB RAM minimum, 16 GB recommended
1920 × 1080 minimum display
50 MB disk
Internet
Required to activate your licence, and occasionally afterwards to confirm it is still valid. If a check cannot be completed the software continues working normally — you can work offline indefinitely. All audio processing is offline at all times.
Windows 10 / 11 only. There is no Mac version.
Windows may show a security warning when you install this, because we're a new publisher. Click "More info", then "Run anyway".
You own this version forever. Improvements to it are free. Future major versions are separate paid upgrades, discounted for existing owners.
One payment · no subscription
Windows 10/11 · standalone application
Licence carries its version
Activates on up to three computers
Support within 48 business hours
Start here
Most questions are answered in the guide. If you are stuck, email support@editpadaurora.com — we reply within 48 business hours.
What we cover
Installation, licensing and product faults. Not mixing advice or DAW instruction — those are your craft, not our software misbehaving.
If something breaks
The application keeps a diagnostic log on your own machine at %TEMP%\EditPad_debug.log. Attaching it to your email usually turns two exchanges into one.